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This adventure aboriginal appeared on Aug. 2, 2009, aback Westchester Broadway Theatre apparent its 35th anniversary. It is republished on the account that the banquet amphitheater has bankrupt permanently.
An Evening Banquet Amphitheater fabricated Carolee Carmello what she is today: a redhead.
Carmello — who starred on Broadway in “Mamma Mia!” — was in “Kismet” and “Evita” at the Elmsford banquet theater, but it was her about-face as Carla in “Nine” that afflicted her career.
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“At the time, they didn’t accept money for wigs, so they asked me if I wouldn’t apperception appearance my beard for the production,” she recalled. “I anticipation ‘This will be fun. This will be a lark. I’ve never been a redhead before.’
“They took me to a mom and pop salon in Westchester about beneath awning of black and absolute my beard red. And it’s appealing abundant ashore for the blow of my career,” she said with a laugh. “It was a absolutely cardinal moment for me. … I admired what it did for me and I kept it. It gave me a authorization to accompany comedic things I hadn’t anticipation of accomplishing before. Rather than actuality dumb-blonde bimbo, I again became bold red bimbo in assertive auditions. It gave me a niche. I owe it all to An Evening Banquet Theater.”
WESTCHESTER BROADWAY THEATRE: Institution closes afterwards 46 years
The abutting production, “Evita,” she played the matinee Eva Peron, understudying Paige O’Hara, who went on to be the articulation of Belle in Disney’s blur “Beauty and the Beast.” For that role, she had wigs.
Bob Cuccioli has alternate to WBT several times, in three productions of “Phantom,” in “City of Angels” and to absolute “Jekyll & Hyde,” the appearance that had becoming him a Tony nomination.
“I adore those bodies actual much,” Cuccioli said. “They’re array of a ancestors to me. I would go aback there in a minute and I’m beholden they’ve been able to authority on in this economy.”
When Cuccioli larboard “City of Angels” in 1993, it was to accomplish his Broadway admission as Javert in “Les Miserables.”
“It’s a coveted abode for New York actors to assignment because it’s so abreast to boondocks and you can still alive at home and drive and the affection of assignment is absolutely great,” he said.
In 2001, aback he alternate to absolute “Jekyll & Hyde,” he casting Will Swenson to comedy the advance role at matinee performances.
Swenson, a Tony appointee this year as Berger in the awakening of “Hair,” remembers his acknowledgment to actuality cast.
“I had been on bout with ‘Miss Saigon’ for a while and I got to the burghal cerebration I was a big attempt because I’d been a advance on a big tour. But I couldn’t get assassin in the city. I didn’t apperceive a soul.
“I went months after a job, and assuredly Bob casting me as one of the Jekylls and I actually bethink arrant aback I got the job. My wife had aloof had a baby, our new boy, and I was like, ‘How am I activity to accommodate for my family?’ And that job fabricated me so happy.”
The run was continued and included the day of the 9/11 agitator attacks, afire that assembly in Swenson’s memory.
“The bodies you were about on 9/11 you accept a band with, so that casting went through that together. Afterwards a brace days’ break, we came aback to the appearance — which is a abstraction of acceptable vs. angry — and it was absolutely resonant.”
“I acquainted actual abundant at home up there,” said Swenson, who alternate to Elmsford to do “Smokey Joe’s Cafe” in 2003.
John Lloyd Young becoming his Equity agenda — turning him to a able amateur — aback he played Tom of Warwick in “Camelot” at WBT in 1999.
“I played a 13-year-old or something,” he says. “I’ve fabricated a specialty of that. In my new movie, I’m a decade earlier than the appearance I play.”
“It was so acceptable to appear from summer banal in Maine, area we performed in a barn, to this advanced amphitheater with actors who had been on Broadway. It was seventh heaven. It was actual agitative for me.”
Working alongside actors whose names he still recalls — Lee Lobenhofer and Abe Reybold were in the casting — gave Young “an indicator of what I ability be able to accomplish myself if I kept in it.”
Within seven years, he was clutching a Tony Award, for his assuming of Frankie Valli in “Jersey Boys.”
Peter D. Kramer is a 32-year staffer at The Journal News. He can be accomplished at [email protected] or on Twitter at @PeterKramer. Read his latest stories. Please chase the articulation on the folio beneath and become a advocate of this affectionate of coverage. It alone works with you as a subscriber.
This commodity originally appeared on Rockland/Westchester Journal News: From the archive: Broadway stars anamnesis starts on WBT stage
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